DEDICATION
TABLE OF CONTENTS
ACKNOWLEDGEMENTS
CHAPTER ONE: ENO’S WORK IN PERSPECTIVE
CHAPTER TWO: BACKGROUND AND INFLUENCES
CHAPTER THREE: ON OTHER MUSIC: ENO AS CRITIC
CHAPTER FOUR: THE EAR OF THE NON-MUSICIAN
Art School and Experimental Works, Process and Product
On Listening
Craft and the Non-Musician
CHAPTER FIVE: LISTENERS AND AIMS
Eno’s Audience
Eno’s Artistic Intent
“Generating and Organizing Variety in the Arts”
CHAPTER SIX: THE COMPOSITIONAL PROCESS
Equipment
Systems of Composing
Verbal Expression and Lyrics
CHAPTER SEVEN: THE MUSICIAN AS PHILOSOPHER
Ultimate Realities
Culture and Information
The Masculine and the Feminine
Politics
Metaphors and Images
CHAPTER EIGHT: TAKING ROCK TO THE LIMIT
The Albums
CHAPTER NINE: ENO’S PROGRESSIVE ROCK: THE MUSIC
Assaultive Rock Songs
Pop Songs
Strange Songs
Hymn-like Songs
Instrumental Pieces
CHAPTER TEN: THE AMBIENT SOUND
Long Ambient Pieces
Short Ambient Pieces
CHAPTER ELEVEN: COLLABORATIONS
With Robert Fripp
With David Bowie
With Talking Heads and David Byrne
CHAPTER TWELVE: ESSENCE, HISTORY, AND BEAUTY
The Music’s Essence
The Music’s History
The Music’s Beauty
GLOSSARY
BIBLIOGRAPHY
ENO DISCOGRAPHY
Solo Progressive Rock Albums
Solo Ambient Albums
Rock Collaborations
With Roxy Music
With David Bowie
German Synthesizer Rock
With Talking Heads and David Byrne
Other Rock Collaborations
Ambient Collaborations
With Robert Fripp
Other Ambient Collaborations
Rock Productions
The Obscure Label
Other
OTHER MUSIC CITED
Epilog – 1989-1995
Eno's Music of the 1990s
Wrong Way Up
The Shutov Assembly
Nerve Net
Neroli
Eno on the Internet
Bibliography Update 1995
Discography Update 1995
1986
1987
1988
1989
1990
1991
1992
1993
About the Author
Powered by
PDF Hacks
